A request: please have your email close by this upcoming weekend, as I will be grading your final essays and must submit final grades on Monday. Because the turn over is so quick, I need you to respond quickly if I email you in the case that there is a problem with your essay.
Also, please make sure to submit in doc, docx, or pdf format.
Monday, December 12, 2016
Sunday, December 11, 2016
Citing Monster Theory
For your final essay, please make sure to properly cite Monster Theory, by Jeffrey Jerome Cohen.
Here is the information:
Here is the information:
In the parenthetical citation, simply use his last name (Cohen). You do not need to include the page numbers, since you don't have those.
For the Works Cited page, here is the info to plug in:
Cohen, Jeffrey Jerome. Monster Theory. Minneapolis, Minnesota: University of Minnesota Press, 1996. Print.
Lastly, please note that the works cited page citation above is not formatted with the proper indentation (I can't do that in blogger), so make sure you indent the second line.
Lastly, please note that the works cited page citation above is not formatted with the proper indentation (I can't do that in blogger), so make sure you indent the second line.
Saturday, December 3, 2016
Wikepedia
Hi everyone,
Just a reminder that while you may use Wikepedia to do some brainstorming, you may not use it for your research for this (or any other) essay. Wikepedia is updated by regular people, and often contains errors. It's not created by academic scholars.
If you have any questions about the legitimacy of a scholarly source, let me know.
Prof D
Just a reminder that while you may use Wikepedia to do some brainstorming, you may not use it for your research for this (or any other) essay. Wikepedia is updated by regular people, and often contains errors. It's not created by academic scholars.
If you have any questions about the legitimacy of a scholarly source, let me know.
Prof D
Tuesday, November 29, 2016
Final Essay Working Thesis Requirement
In addition to meeting with your peer mentors to go over your final essay rough draft, you will also upload the following to Moodle by midnight on Saturday the 3rd.
The Moodle assignment will be titled: Final Essay Working Thesis
I will give you feedback on your working thesis so make sure to check Moodle for this!
The Final Essay Working Thesis should include the following:
Your monster or vampire's full name
Example: Dracula
Your monster or vampires's culture: time and place
Example: Victorian England (1800s)
Cultural fears and desires the monster embodies in the form of a thesis statement:
Example: Dracula embodies the Victorian's cultural fear of women's sexual expression. He also represents the culture's desire for that very same female sexual expression, as well as the desire to break out of restrictive gender roles.
(Notice how the fears and desires all relate to each other. Yours should too!)
Lastly, please include at least two library sources you plan to use in your paper along with three to ten sentences per source explaining how they relate to your topic.
Example: Gerber Davis' essay in "Skin Shows" discusses how Dracula acts as both permission giver for the expression of the Victorian female's sexuality and as a figure of prohibition for that very same expression. In this sense he operates as a kind of doppleganger of the men in the novel (and ultimately the culture at large), by encouraging and participating in the women's sexual emancipation and also acting as figures of repression and punishment. The essay also discusses some of the gender norms for women and men at the time, which I plan to use as historical background in my essay.
If you would like to include more, such as the beginning few paragraphs of your essay, you may. This is not required, however.
Any questions? Email me.
The Moodle assignment will be titled: Final Essay Working Thesis
I will give you feedback on your working thesis so make sure to check Moodle for this!
The Final Essay Working Thesis should include the following:
Your monster or vampire's full name
Example: Dracula
Your monster or vampires's culture: time and place
Example: Victorian England (1800s)
Cultural fears and desires the monster embodies in the form of a thesis statement:
Example: Dracula embodies the Victorian's cultural fear of women's sexual expression. He also represents the culture's desire for that very same female sexual expression, as well as the desire to break out of restrictive gender roles.
(Notice how the fears and desires all relate to each other. Yours should too!)
Lastly, please include at least two library sources you plan to use in your paper along with three to ten sentences per source explaining how they relate to your topic.
Example: Gerber Davis' essay in "Skin Shows" discusses how Dracula acts as both permission giver for the expression of the Victorian female's sexuality and as a figure of prohibition for that very same expression. In this sense he operates as a kind of doppleganger of the men in the novel (and ultimately the culture at large), by encouraging and participating in the women's sexual emancipation and also acting as figures of repression and punishment. The essay also discusses some of the gender norms for women and men at the time, which I plan to use as historical background in my essay.
If you would like to include more, such as the beginning few paragraphs of your essay, you may. This is not required, however.
Any questions? Email me.
Little Red Dress by Addie Crane
Little Red Dress
Once upon a time there was a girl
named Scarlett. She was called that because of her beautiful red hair. Her
parents did their best to prepare her for the real world. They taught her many
lessons about being wary of strangers, watching her drink, never walking home
alone after dark, and the like. She grew to be a brilliant, strong, and
independent young woman and was accepted at the University of California
Irvine. She found school difficult, but was good at balancing course work,
friends, and her job at a local bakery.
After one particularly stressful
week, Scarlett decided to go clubbing with her friends in Los Angeles. She put
on her favorite little red dress and made sure to put pepper spray into her
bag. She talked to her friends the entire uber ride, happy that the school week
was over and excited to dance at the club. They danced to all their favorite
songs and made sure to watch their drinks. After an hour, one of Scarlett's
friends, who had drank more than usual that night, was barely able to stand.
Everyone decided they should get her home. Scarlett wasn’t done partying and
wanted to help her friend, but wanted to stay at the club. Her friends tried to
convince her to come back with them to the dorms, but she was stubborn and
insisted she would be okay. Reluctantly they let her stay and she went back to
dancing. Scarlett continued to drink and dance all night. At around 2am she
decided to call an uber.
Since it was 2am on a sunday morning
and a lot of drunk people were trying to get home rates were heavily inflated
and it would have cost her $300 to get back to her college. She could not
afford the cost, but it was late and knew she had to get home safe. She knew
her grandmother lived in Santa Monica, but did not know how far the apartment
was from the club. Scarlett looked up the directions on her phone and found out
it would be a 20 minute walk. Walking alone at this time was far from ideal,
but she felt she had no other choice. It was going to be hard, because she was
drunkenly stumbling around in five inch heels. At least, her grandmother had
given her a key to the apartment and said she was welcome to stay over any
time. Scarlett knew how much her grandmother loved the cookies at the bakery
she worked at in Irvine and wished she had known ahead of time to bring some
with her. She messaged the group chat of her friends and told them she was
going to stay at her grandmother's house close by. She set her phone to share
her location with them, so they would know where she was at all times in case
something happened. Scarlett started walking with her pepper spray in one hand
and her phone guiding her in the other. The streets that always seemed so
pleasant during the day seemed sinister. Every noise and every shadow made her
tighten her grip on her pepper spray. After a couple minutes of walking a black
mustang pulled up and the driver rolled down his window. She knew to keep
walking and didn’t even glance at the car.
He called out to her, “Excuse me,
miss it’s really not safe for you to be walking by yourself at this time”. She
stopped for a second remembering all the warnings her parents had given her,
but figured she could pepper spray him if he tried anything. She walked up to
his window. She noticed he was wearing a nice suit with a thick wool coat and
that his eyes were different colors.
“I don’t want to seem creepy. You’re
just a beautiful girl,” he smiled showing his big almost blindingly white LA
smile, “I would hate for something bad to happen to you”.
“I should be fine thank you”
Scarlett replied starting to walk away.
“Get in. I can give you a ride
wherever you need to go”
“Seriously, I’ll be fine I’m just
going to my grandmother's apartment at the corner of Wilshire and South
Barrington”
“I won’t force you. Stay safe” he
said and then sped away.
Feeling a little bit more trusting
of strangers Scarlett continued her walk. She was relieved when she reached the
apartment complex and put her pepper spray back in her purse. She unlocked the
door as quietly as possible hoping to not wake her grandmother. She noticed the
lights were on and found that strange because her grandmother went to bed
early.
“Grandmother? It’s me Scarlett. I
didn’t have money to go home so I figured I would stay here. Are you okay?” She
called out.
“Oh Scarlett! I’m glad you’re safe
and you chose to come here. Come say goodnight to me” Scarlett's Grandmother
replied from the bedroom. Scarlett put her bag down in the living room and
walked into the bedroom only to find the man that offered her a ride home
holding a knife to her grandmother's throat.
“What are you doing here?” Scarlett
asked in shock.
“You told me the address. You
weren’t going to get in the car so I drove here and knocked on every door until
I found your grandmother's house. I pushed her to the ground, dragged her in
here, and tied her up. She tried to fight me, but she’s so frail. It would be a
shame if she got hurt” He said looking at the blade he had pressed to her
throat.
“What do you want?” Scarlett asked
starting to shake.
“You’re going to let me tie you up
and have my way with you. If you struggle, run, or scream I will kill her in
front of you. Understood?” he said smugly knowing she had no choice.
“Understood” she cried. He walked up
to her and started to tie her up. She started to struggle as a reflex. He
slapped her across the face. Scarlett fell to the floor and through tears
watched him kill her grandmother. She let out a bloodcurdling scream. He
slapped her again then resumed tying her up. Just as he finished another man
ran into the room holding a gun.
“Oh my God! What happened here?” The
man with the gun asked, “Step away from the girl or I will shoot”. The man who
tied up Scarlett tried to reach for his knife, but he was too slow and the
other man shot him in the head.
“Are you okay? Are you injured?” The
man asked putting down his gun.
“Physically I’m okay. Who are you?”
Scarlett asked.
“My name’s John. I live next door
and I heard someone scream so I ran over as fast as I could.” He untied her and
she thanked him for everything and told him everything that happened. She got
her purse in the living room to call the police to report what had happened.
“Don’t call the cops yet” John said.
“Why not?” She asked suspiciously.
“I saved you because I’m a nice
person. Don’t I deserve something in return?”
She realized what he meant, “Nice
people don’t need anything in return…”
“Of course you’re just like every
other girl. I saved your life and all I get is a thank you? I’m sick of being
so nice to girls and never getting anything in return. I try so hard to be nice
to girls because that’s who I am a nice guy, but girls never seem to want a
nice guy” He emphasized the last two words.
“It’s not that I don’t want to sleep
with you because you’re a nice guy,” she said, “I don’t want to sleep with you
because I don’t want to sleep with you. I don’t owe you anything. You chose to
save me and I’m grateful, but it was your choice and I don’t have to give you
anything in return”.
“Whatever you put yourself in this
situation. You probably asked for it”. John rolled his eyes.
“Excuse me? How did I put myself in
this situation?” She asked offended.
“You’re a drunk girl in tight
revealing clothes. This is your fault. You’re dressed that way so you obviously
wanted attention”
“Are you serious? It doesn’t matter
what I’m wearing or how much I’ve had to drink. None of my actions make what he
did okay. I did not ask for this. Now get out or I will mace you” She said
firmly while pulling out the pepper spray in her purse.
“Whoa why would you pepper spray me?
I saved your life. I’m a good person” He said leaving. Once he was gone
Scarlett called the police and they escorted her back to her dorm safely.
The Boy in the Speakers by Natalie Finamore
The Boy
in the Speakers
Once,
not very long ago, a man and woman loved each other. This isn’t unusual, but
their love was. High school sweethearts, everyone said that they would get sick
of each other, but they never did. They spent years together in mutual bliss,
eventually getting married.
The day
came when they wished to have a child. For years and years they tried, but
without any success. Eventually, they scraped enough money together for
fertility treatments, and the woman soon discovered that she was pregnant.
Before she told the happy news to her husband, she sat beneath the mimosa tree
behind their house, looking up into the branches. A bird was perched in the
tree above her, singing sweetly as the sun began to sink below the horizon. She
whispered to herself, “May my child sing as beautifully as that bird does. May
they be as free as its wings upon the wind.”
Her
husband was overjoyed to hear that they had finally conceived a child, but
their happiness was not to last for long. When the woman went into labor, she
began to lose a lot of blood. The doctors did everything to save her, but she
was dying, and dying fast. As she faded, she held her husband’s hand and said,
“If I die, bury me beneath the mimosa tree.”
The
doctors saved the child, named Jacob, and the man was allowed by the county to
bury his wife beneath the mimosa tree. He held his son in the shade of the
branches, and called his wife’s old number over and over just to hear her
voice. Eventually, he stopped paying the bill, and he slowly forgot the sweet
sounds of his wife’s voice.
He
joined a dating site, and soon married again in the kind of whirlwind romance
that the internet age has made us so familiar with. Soon, he and his new wife
had a daughter, Marlene. The daughter and son were no more than two years apart,
and they were attached at the hip. They grew up together, and Jacob would
always sing Marlene to sleep at night. Jacob was Marlene’s protector and
closest confidant. When Marlene got bullied at school, Jacob would scare the
kids off, when Marlene was sick, Jacob would put his CDs on for her, when
Marlene needed anything, Jacob was there to be her protector.
The
stepmother was jealous of Marlene’s love for her brother, but as he got older,
she became jealous of his singing talent. See, the stepmother was a failed
artist, and she spent hours on the internet, wallowing in self-pity and
obsessing over her passed days without making any effort to lift herself from
her position in life. Her husband worked long hours, and often wouldn’t be seen
around the house because he went out and got drunk after work with his old
college buddies. It was no secret in the household that the stepmother took out
her rage out upon Jacob. From the moment she moved in, she punished Jacob at
every turn. When he was young, she would spank, pinch, and send him to time out
for inordinate amounts of time for even the smallest infractions. She tried to
control him by taking away his electronics, his CDs, grounding him, denying him
dinner—and treating Marlene like a princess. Jacob’s good heart never resented
his sister for the treatment he endured from his stepmother. Instead, he
funneled all of his sadness and hatred into his music. He played whenever and
wherever he could, his beautiful voice capturing all emotion perfectly. Jacob had begun posting videos of himself
singing with his guitar. He had gained a local following, and one of his videos
had gone viral. Jacob was excited—his stepmother could only see her failure and
jealousy. Every time Jacob had a success, she would punish him, but she could
never stop his tenacity for his music.
Jacob
was called to play a gig at a local venue, and he was going to be late coming
home. Marlene begged her mother to let her go, but her mother angrily ordered
her to go to bed. Marlene cried and cried in her room, and her mother screamed
at her door while Jacob could not protect her, “You ungrateful child! I gave
birth to you! He isn’t even your blood!”
Jacob
got home around ten. He crept in the door, being careful not to wake anyone in
the house, but he was surprised to see his mother sitting in the front room,
staring at the front door where he stood.
“You’re
up late,” his voice came out in barely a whisper. He was afraid, but he
couldn’t say of what.
“It’s
the perfect time to take care of things—get those pesky chores done that you
just can’t get to during the day,” she walked over to where Jacob stood.
At this
moment, Marlene was walking down the stairs to get a drink of water, careful to
be quiet, as she didn’t want to incite the wrath of her mother. She saw her
mother and Jacob from the bottom of the stairs, and she was frozen. They were
just standing there; staring at one another like all hell was going to break
loose. She didn’t know why, but she pulled her phone out of her pocket, turning
the camera on, and started to record.
“What
do you want…mom?” Jacob asked, “I was just going to head to bed.”
“I just
wanted to tell you that I’m proud of you, son,” the stepmother reached her arms
out, moving to embrace Jacob. A smile spread across his face, he was overjoyed
to finally be appreciated and loved—even for a moment—by the stepmother that
had rejected him for so long. This happiness, however, was short-lived.
His
stepmother whipped a boxcutter out from the sleeve of her robe, and angrily cut
across Jacob’s throat. Marlene screamed from the stairs, dropping her phone,
and the mother turned around, eyes blazing with hellfire.
“If you
tell a soul, I’ll do worse than kill you, you ungrateful child.”
Marlene
shook and sobbed as she watched her mother walk into the kitchen. Jacob’s blood
was spreading across the linoleum floor of the entryway, and Marlene wished
that he would stand up—that he would be okay. Her mother returned, her bloody
hands gripping the electric turkey knife.
“No! No
mom, please!”
Jacob
was dismembered over an excruciatingly long expanse of time. Marlene’s mother
took pieces of his body and neatly cut them, placing them in plastic bags in
the freezer. She wrapped his head, some of his organs, and his bones in a trash
bag and shoved the heap into Marlene’s quivering arms.
“You
bury these under the mimosa tree so he can be with his stinking slut mother
where he belongs! If you try to run, you’ll end up in the freezer too.”
Marlene
dragged the bag outside, her mother watching her from the kitchen window. She
grabbed the shovel from the shed and dug a hole in the soft dirt under the
mimosa tree. The hole took a long time to dig, but she managed to get it deep
enough to accommodate the garbage bag. She gently placed what was left of her brother
in the hole and filled it with dirt, trying to put the sod back on in the least
suspicious-looking manner possible. No one ever really went in the backyard
except for her and Jacob, so it didn’t really matter, but she wanted it to look
good enough that she could pretend that none of it happened until the morning.
Marlene plucked some of the mimosa flowers off of the tree just as the sun
began to rise, and placed them on the soil where the pieces of her brother lay.
Marlene
walked back in to find the house spotless and smelling of bleach, the sun
streaming in through the front windows and illuminating the entryway that had
been stained with her brother’s blood only several hours before. She smelled
cooking meat, and her mother leaned out of the kitchen.
“Clean
yourself up. Your father is coming to have breakfast with us, it’s his day off
and I’m trying to do something nice for him.”
Later,
Marlene sat across from her father as he ate what he seemed to think was “ham
and eggs”. Marlene couldn’t even take a bite.
“Why
aren’t you eating this delicious breakfast that your mother made, Marlene?” her
father asked through a mouthful of food.
“I…”
her mother grabbed her knee and dug her nails in, “I’m not feeling that well, I
think I may have gotten the flu at school. Sorry, mom,” The grip on her knee
relaxed.
“Where’s
Jake?” her father seemed to have just only noticed
“He
never came home last night. Stupid kid is probably out partying.”
Marlene
passed the next month in a stupor. She did poorly in school. Her mother had put
out a missing person report for her brother, but at each candlelight vigil,
each search party, her mind was heavy with what really happened to Jacob. Every
night, she went to talk to Jacob beneath the mimosa tree. She asked him to make
it right, to expose their mother, to be her protector and her voice one last
time.
Suddenly,
one night under the tree, her phone lit up with a video of her brother singing,
but it was a song she did not recognize. He sang,
“My
mother, she slew me,
My
father, he ate me,
And my
sister, Marlene buried me,
With my
mother under the mimosa tree.”
Marlene
stared at the phone, and she knew, her brother was back to save her.
Her
mother began getting phone calls. Marlene heard the same song wafting from the
receiver, and each time her mother screamed for
the caller to “stop pranking her”. Jacob didn’t stop there. The lyrics
to the macabre song began arriving in messages on the mother’s Facebook. They
came out of the mouths of the newscasters on TV. They whispered from the car
radio. They typed themselves in word documents on the mother’s laptop. It was
driving her mad.
Marlene
would go under the tree, and call her brother’s old number every night, and he
would sing the song to her over and over again. One night, her mother came
running out of the house into the backyard. Marlene could hear her brother’s
voice from the laptop in the house.
“He’s
taken everything from me! Everything!” her mother screamed, “I can’t even
distract myself anymore. I’m digging him up! I’m digging that little shit up!
I’m going to burn that fucking tree to the ground!”
Marlene’s
mother began running toward the tree. Her father appeared in the door.
“What’s
going on?” he asked, somewhat detached and not seeming to notice the
disembodied voice of his song growing louder and louder through the Marlene’s
phone.
Despite
all of the commotion, and her mother marching toward the mimosa tree with
revenge in her eyes, Marlene felt strangely calm. Her brother’s voice no longer
seemed to be coming from her phone, but from below where she was sitting. The
ground started to shake.
All of
a sudden, the ground burst open, and there stood Jacob and his mother in all
their glory. Marlene’s mother kept rushing headlong towards the mimosa,
screaming. Jacob’s mother rushed forward and in a clap of light, reached into
the wicked women’s chest and began pulling her into the ground by her heart.
Jacob pulled Marlene away from the tree, and the ground swallowed up both of
their mothers without a trace.
Marlene
was overjoyed to see her brother in the flesh, and she buried her face into his
chest. She lifted her head to express her joy to her father, but he was too
busy searching the ground below the mimosa to realize his son was there.
“I
don’t have long here, sis. Tell the cops what happened to me. Live your life.
I’ll always be there in spirit to sing to you,” and with that, he faded into
the ground.
Marlene
wept, but she did as her brother asked. She showed the police the video that
she had taken with her phone. She told them that she had been threatened with
death by her mother and that’s why she had never come forward. When the police
asked where her mother was, she told them that she had run off.
Marlene
and her father had a rocky relationship at best after that. He dove even
farther into drink after he realized that he had eaten his son, and that he had
been too absorbed in his job and social life to even take notice of what had
happened. Despite all of this, Marlene was still happy, for she sat under the
mimosa tree every night, and though what was left of her brother had been taken
for evidence long ago, she spread his ashes beneath the tree. He kept his
promise, and sang to her through her phone. Wherever there was a speaker, Jacob
could be heard singing,
“My
mother, she slew me,
My
father, he ate me,
And my
sister, Marlene saved me
Marlene
saved my soul.”
Wednesday, November 23, 2016
Important: Moodle Upload
Hi everyone,
When you upload your monster or fairy tale presentation project to Moodle, please combine everything into one file as Moodle only allows you to upload one file. You can separate them by a page if you like. Put the analytical paper first.
If you have a visual aide that is a sculpture, drawing, etc, please scan it and include it after the end of your analytical paper.
You may include any links to videos or online creative components in the text box.
Thank you! Let me know if you have questions. Have a great break.
Prof D
When you upload your monster or fairy tale presentation project to Moodle, please combine everything into one file as Moodle only allows you to upload one file. You can separate them by a page if you like. Put the analytical paper first.
If you have a visual aide that is a sculpture, drawing, etc, please scan it and include it after the end of your analytical paper.
You may include any links to videos or online creative components in the text box.
Thank you! Let me know if you have questions. Have a great break.
Prof D
Monday, November 21, 2016
FINAL ESSAY #4 PEER MENTOR REQUIREMENT
One requirement for your final essay is that you meet to go over your rough draft with one of your peer mentors.
You must have emailed them or talked with them to set up an appointment time no later than Friday, Dec. 2nd.
Please make sure to work with their schedules. Your appointment needs to happen no later than Dec 12th.
If you would like to meet with me about your final essay, please set up an appointment time with me during the last two full weeks of classes. Email me sooner rather than later to ensure I have a spot.
Please note that I do not plan to be on campus during finals week, but can answer specific questions via email.
Your final draft is due via Moodle by 6pm Friday, Dec. 16th.
You must have emailed them or talked with them to set up an appointment time no later than Friday, Dec. 2nd.
Please make sure to work with their schedules. Your appointment needs to happen no later than Dec 12th.
If you would like to meet with me about your final essay, please set up an appointment time with me during the last two full weeks of classes. Email me sooner rather than later to ensure I have a spot.
Please note that I do not plan to be on campus during finals week, but can answer specific questions via email.
Your final draft is due via Moodle by 6pm Friday, Dec. 16th.
FINAL ESSAY OPTION 1
OPTION 1: RESEARCH A MONSTER
For option one, your paper must center on one particular monster other than the vampire. The definition of the word monster here is any real or imagined being that generally fits into at least two of the monster theses categories as outlined in Monster Theory, and about which there is enough research on to write a 3-5 page paper.
You are to write an essay about your monster as a representation of a specific culture's fears and desires. Remember, a monster is a vessel in which certain cultural fears and desires are embodied. You will need to be specific about which particular fears and desires your monster embodies, as well as which specific culture (you need to be able to label explicitly a time frame and place; you may use a film or novel to help you locate these) they are in relationship with. For example, Dracula was an embodiment of 1800's Victorian England's specific fears of women's sexual expression, and the British colonization of various cultures and people across the globe, among other things. Mention the time and place and the specific fears and desires in your intro. You will likely want to focus on just two or three major fears or desires and unpack those, instead of going through a long laundry list. Make sure you can connect them to each other in a natural way.
You are to write an essay about your monster as a representation of a specific culture's fears and desires. Remember, a monster is a vessel in which certain cultural fears and desires are embodied. You will need to be specific about which particular fears and desires your monster embodies, as well as which specific culture (you need to be able to label explicitly a time frame and place; you may use a film or novel to help you locate these) they are in relationship with. For example, Dracula was an embodiment of 1800's Victorian England's specific fears of women's sexual expression, and the British colonization of various cultures and people across the globe, among other things. Mention the time and place and the specific fears and desires in your intro. You will likely want to focus on just two or three major fears or desires and unpack those, instead of going through a long laundry list. Make sure you can connect them to each other in a natural way.
A good strategy for beginning this assignment:
1. Make sure it’s a monster that you are intrigued by. Do a little reading on basic Internet sites (Wikipedia is a good start, for instance) on the monster and its
context/background. Then look at the Monster Theses and see how your monster represents some of the research-worthy attributes of monsters.
2. Plan to spend some time reading in the library – or on the library’s online databases, free e-periodicals, or other scholarly websites – in order to get some weightier sources on the questions you want to answer, as well as your interest. You may also want to read film reviews if you are basing your monster on a movie (sources such as the New York Times and Boston Globe are good ones). Learn what you know and what you still need to know. As you research, your topic will keep expanding. Go with it. Don’t keep it in a box. Be willing to question your position. And most importantly—make sure before you begin that there is enough scholarly, appropriate research for you to work with!
This preliminary research will help you turn a subject into a topic. When you have a subject, you have something to talk (or write) about; but with a topic, you also have something to say about it (A CLAIM!). You do not want to write a “report” or informational essay on your monster—you must make a claim about its relationship to culture. Remember, the monster is only a lens through which you are exploring culture.
Note: It's your job to make sure you do not pick a monster until you've done enough preliminary research to ensure that you can write about it successfully for at least 3 full pages.
TOPIC Example:
Belief in Bigfoot operates as a salve against the contemporary American fear of ecological destruction, in this era of global warming and other ecological disasters. As long as Bigfoot safely roams the forest as an emissary, this mitigates our guilt and calms our worries for the future.
The dinosaurs of Jurassic Park represent a fear of scientific technological advancement and the consequences of cloning, as well as a desire of American capitalism to turn everything into a commercial product, as represented by the "theme park" element of the story.
There are many, many more options. Get thinking, get creative, and start asking questions.
Some examples of monsters that could be good ones to write about: Sasquatch, aliens, witches, demons, serial killers, werewolves, zombies, ghosts, etc. You should talk about specific monsters within these categories such as, say, Hannibal Lecter the serial killer, La Llorona (the weeping ghost), George Romero's zombies in a specific film such as Night of the Living Dead, etc. Don't just generally talk about zombies, ghosts, etc. because there is too much to unpack.
Please note that if you are discussing a real person who has been deemed a monster in society's eyes, you need to consider primarily their representation in culture and how culture has "monsterized them." What does their representation in culture say about culture's fears and desires? Do not focus on "what really happened." For example, Ted Bundy the serial killer tapped into a fear that the innocent boy next door might not be so innocent after all, that America and the suburbs were not safe spaces, etc. If this sounds too hard, stick to a monster you know is "fake."
Please note that if you are discussing a real person who has been deemed a monster in society's eyes, you need to consider primarily their representation in culture and how culture has "monsterized them." What does their representation in culture say about culture's fears and desires? Do not focus on "what really happened." For example, Ted Bundy the serial killer tapped into a fear that the innocent boy next door might not be so innocent after all, that America and the suburbs were not safe spaces, etc. If this sounds too hard, stick to a monster you know is "fake."
You may not select for your monster any creature, such as the Komodo dragon, who is in fact "real" and yet not particularly representational of any cultural fears or desires. A good way to test whether or not a “real” monster represents larger cultural concerns is to see if there is academic research on it, and if there have been any horror movies made about it.
Basic Requirements:
This essay will combine all the skills you've learned in INTD 100. It is a research essay, and it will require a strong thesis that is clearly arguable, well qualified, and specific. Stick to your thesis throughout—and make sure that your research supports your thesis and underscores its main points. Make sure to include a Works Cited page and note that this Works Cited page does not count toward the 3-5 page count requirement.
There must be sufficient research on your topic, so that you will not have trouble finding materials.
You will be required to have at least three outside sources for this essay. Two must come from the library’s databases, and they must be articles and/or books. However, you may have additional acceptable (.org or .edu) web sources, or film sources. It is imperative, however, that you quote from and rely on your library sources and include your Monster Thesis notes in your essay.
Good luck and have fun!
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